Also, you can choose to both lose a string, even when you don't have one.

I'm curious about the text "The bonus it gives also stacks with shapeshifter’s." Is that an artifact from an earlier version? Should Shapeshifter give some sort of bonus?

I'll send Sage an e-mail, unfortunately for the time being, my only feedback is "You shouldn't let players drink during Luke's erotically charged sexventures, maybe take that ability out of the final release."

I'm one of the players, and it's been pretty manageable as far as I can tell. The ability to easily split us into multiple concurrent scenes helps a lot.

I guess my question is as regards doing something that somebody doesn't want. In the bottle example, if I don't want you to take the bottle, what are my options? What are your options? I'm holding onto it tightly, so according to the extended example, you'd have to lash out physically, but as you've stated, that doesn't actually get the bottle away from me, it just hurts me.

I think I understand the feeling of helplessness that you're going for, but, um.. I know of teenagers, and they can actually grab things, physically pull people in directions, etc. I think you might be thinking of phantasms. Common mistake. :)

Zombie Thread!

I also like the idea of a list of names others call you: Stranger, fella, etc. But without the normal choose one, instead each PC and NPC chooses from the list the first time they speak with the character.

I put together a trifold playbook for the Feral Kid: Here

There's probably a bit more that could be added, but it seems good overall.

The “you already know all there is to know” clause is there, but I’ve never used it and I hope you never do too.

That's an awkward turn of phrase, thought I'd point it out.