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Dungeon World / AP: Feeling the Daojin City Blues
« on: July 28, 2012, 09:13:57 AM »
So, despite having followed its development from the earliest stages, it's taken me quite a while to actually get around to running Dungeon World game. One of the problems is that my mind constantly sails in nine different directions at once: one moment I'm desperate to run a Farscape-inspired space opera, the next a gritty Marxist interpretation of Planescape. Since I've spent the last year or so indoctrinating a new circle of gamers into the world of role-playing games, I've confined myself to running a relatively traditional game using Old School Hack, set in a reasonably traditional D&D campaign setting that a friend and I have been running games in for years (The Coin).
But this new campaign was going to be different. I've indoctrinated the new crew now; now I have the opportunity to move beyond the fun but rather staid elves and dragons of the Coin into the less traditional realms - but I still couldn't decide what that was going to be. Marxist urban steampunk fantasy built on the bones of China Mieville? Surrealist philosophical plane-jumping adventures in Sigil or Dis? Or some sort of epic wuxia fantasy inspired by Avatar and Crouching Tiger, Hidden Dragon?
After watching Legend of Korra, the answer became clear to me: I was going to do all of them at once.
Here's the pitch I sold this game to my players with:
Daojin City.
Most people just call it the City, and it deserves the definitive article. There's no place quite like it, lying as it does in the interstices between the many worlds, towers stretching into the infinite unknown, canals crowded with gondoliers. Its portals and trade consortia services a thousand empires, its streets echo with the sound of a hundred tongues.
But it's a rough place if you haven't got two jade pieces to rub together. You came here to make it big, to show the universe what you're made of - but with the City squeezed from above by the plutocrats and sorcerers of the Jade Council, and from below by the mobsters of the many triads and tongs, there's not a lot of room for an honest adventurer to make a yuan.
A dishonest adventurer, on the other hand...
------
HOUSE RULES
The DW basics are great, but they needed a fair amount of tweaking to fit in my urban kung-fu steampunk fantasy.
Firstly, I ditched alignment and replaced it with elemental temperaments, which are essentially the same mechanically. Although the implementation of alignments in DW is one of the best I've seen, it really doesn't sit well in a revolutionary steampunk noir game.
Secondly, I ditched the concept of separate playable races: although the weird and varied races and crossbreeds of Planescape appealed to me, it's easy to overwhelm a setting with too many interpolating forces. Plus, I was already planning to have a varied array of cultural backgrounds to delineate characters - no need for those cultural backgrounds to be defined by biological facts. So humans and monsters.
Thirdly, I came up with the idea of each character having knowledge of a martial arts style. This mechanically replaces race moves, but mainly serves to enshrine the Avatar-like tone. Each character, even the slender wizard, is already a skilled martial artist.
Finally, I messed with the classes to have them better fit my interpretation of the world. I removed Clerics, used Nathan Orlando Wilson's freeform Wizard rewrite, and added an Artificer and a Mystic as character options.
But this new campaign was going to be different. I've indoctrinated the new crew now; now I have the opportunity to move beyond the fun but rather staid elves and dragons of the Coin into the less traditional realms - but I still couldn't decide what that was going to be. Marxist urban steampunk fantasy built on the bones of China Mieville? Surrealist philosophical plane-jumping adventures in Sigil or Dis? Or some sort of epic wuxia fantasy inspired by Avatar and Crouching Tiger, Hidden Dragon?
After watching Legend of Korra, the answer became clear to me: I was going to do all of them at once.
Here's the pitch I sold this game to my players with:
Daojin City.
Most people just call it the City, and it deserves the definitive article. There's no place quite like it, lying as it does in the interstices between the many worlds, towers stretching into the infinite unknown, canals crowded with gondoliers. Its portals and trade consortia services a thousand empires, its streets echo with the sound of a hundred tongues.
But it's a rough place if you haven't got two jade pieces to rub together. You came here to make it big, to show the universe what you're made of - but with the City squeezed from above by the plutocrats and sorcerers of the Jade Council, and from below by the mobsters of the many triads and tongs, there's not a lot of room for an honest adventurer to make a yuan.
A dishonest adventurer, on the other hand...
------
HOUSE RULES
The DW basics are great, but they needed a fair amount of tweaking to fit in my urban kung-fu steampunk fantasy.
Firstly, I ditched alignment and replaced it with elemental temperaments, which are essentially the same mechanically. Although the implementation of alignments in DW is one of the best I've seen, it really doesn't sit well in a revolutionary steampunk noir game.
Secondly, I ditched the concept of separate playable races: although the weird and varied races and crossbreeds of Planescape appealed to me, it's easy to overwhelm a setting with too many interpolating forces. Plus, I was already planning to have a varied array of cultural backgrounds to delineate characters - no need for those cultural backgrounds to be defined by biological facts. So humans and monsters.
Thirdly, I came up with the idea of each character having knowledge of a martial arts style. This mechanically replaces race moves, but mainly serves to enshrine the Avatar-like tone. Each character, even the slender wizard, is already a skilled martial artist.
Finally, I messed with the classes to have them better fit my interpretation of the world. I removed Clerics, used Nathan Orlando Wilson's freeform Wizard rewrite, and added an Artificer and a Mystic as character options.