Hi,

I've written a scenario for Dungeon World that is a bit out of the ordinary; it takes place in an alternate version of Europe in the 1300s, and the PCs are knight templars - that is, if the templars were an order that had to eradicate real evil.

Take a look at the first few paragraphs and let me know if this could work as a Dungeon World adventure. There's much more - the adventure is more or less finished, so if you need more, let me know and I'll paste the rest here.

Here we go!

The Marseille Conundrum
A Dungeon World scenario

“...And there shall be Two Suns in the Heavens; one white, one black. Together they are the sign from God that it is Time for Man to take to his Potential; to reach towards the Black Sun and embrace the Powers that are His, God-given or otherwise....”
- From The Two Suns in the Sunset, by Damian De Lamierre, 1299 AD.

The Pitch
   In the fall of 1309 AD, rumours of the collapse of several cities in southern Europe begin to surface in the city of Paris, one of the strongholds of the Templar Order. Refugees tell stories of an evil presence capable of destroying entire cities. Most of these rumours concern the city of Marseille; it appears to be under attack by unknown, superior forces.

   The characters are experienced and powerful heroes, loosely or directly connected to the Templars. They’re tasked with infiltrating the city of Marseilles to find the truth behind the collapse and stop its destruction.
   
Introduction
This scenario is meant to introduce you to an alternate Earth where abhorrent entities from beyond the universe we know spread corruption and chaos that threaten human civilisation. Mysterious, powerful orbs with different properties have appeared all over the world, and they emit a constant supernatural energy that corrupts and deforms the human mind and body.

When an orb is left to its own devices, it can have horrific consequences. People around them tend to go insane with an unquenchable thirst for blood, or worse; orbs can transform people into grotesque creatures resembling the stuff of nightmares.
Everything supernatural comes from these orbs. They serve as sources of energy for the few who learn to control it. The PCs all have this ability, and they draw on the orbs to perform superhuman feats. However, this comes with the constant threat of overusing these powers and become slaves of the orbs, doomed to roam the world as mindless creatures of havok.

The Who’s Who of the story
Two major factions exist in Europe in the 1300s; The Order of the Knight Templars and the cult of the Black Sun. The Order is hell bent on destroying the source of the evil - the mysterious multi-dimensional orbs that are hidden all over Europe in mountain caves, deep seas and buried in fields and forests.

The cult of the Black Sun take their name from a pitch black orb floating in the air, giving the illusion that it is much farther away than it is, which causes people to think of it as a second sun.

The cult wants to destroy the Templars and let evil reign over the world. They are fanatical and spare none to get what they want. The cultists are a mix of insane savages, level-headed opportunists and truly powerful wizards who draw their powers from the orbs. Few cultists know the secret of the orbs; they are portals to a dimension where their vile creators dwell, intent on invading Earth and enslaving everyone.

Getting started with the game
If you're a player, you can go directly to Appendix I and choose your PC. Do not read the GM section. If you are the GM, keep reading.I will be addressing this book to you, the game master, because you will need the most information, while the players simply have to choose one of the pre-gen PCs.

The core of this scenario is the destruction and invasion of Marseille in the south of what is now France. The PCs are ordered by the Order of the Knight Templars to find out what happened and destroy any evil that might be involved.

So what really happened?
   The Black Sun Cult has taken control of the city by using the powers of a nearby orb that can control people's’ minds and memories, basically making them helpless and easy to control. The Cult has also managed to lure a Leviathan into the city to crush its defences; it still roams the streets aimlessly, going into fits of rage and destroying the buildings with its mighty claws. The leviathan is huge; at least 30 meters tall, dragging a long tail behind it. It is fast and its jaws can break steel and stone with ease. Do not feed the leviathan.
   The reason for the invasion is to create a base for the Cult where they can conduct their evil rituals, use their orbs for obscene purposes and launch attacks on Templar Knight strongholds. The population of Marseille are both like cattle and expendable soldiers; they can be told anything and believe it, making them easy to manipulate. The hold over them is not completely unbreakable; PCs with mental or social abilities can successfully free them.

What’s the plan?
   The goal of the PCs is to sneak into Marseille to find out what has happened to the city. The Templars suspect Black Sun Cult activity, but can’t be sure. The leviathan is a surprise; the players better run like hell when they see it. In the end, the PCs need to destroy the orb that lets the Cult control the people of Marseille and find a way to stop the Leviathan before it does too much damage or kills the group.
   This adventure can function like a starting point for more adventures. If the group likes the idea of hunting down evil cultists and destroying orbs from another dimension, this game is for you.
   The following chapters describe the events and encounters of the adventure. You can change the sequence of events the way you prefer. The players are free to do what they want, and as the GM, you can add your own material and details to the story.

...and then the 6-7 chapters that describe the group's adventure in Marseille follows. Any comments, feedback and criticism is more than welcome!

Hi,

I just need a little clarification here.

"If they refuse, it's acting under fire".

What does that mean in terms of the fiction? Refusing the manipulating is AUF, that's clear, but how do you work it into the story? If the "victim" fails her AUF roll, do you let an anvil fall on her head?

What do you do in your games?

I have been toying with the idea of a text-based (Skype) AW game for a while, and finally, I've begun it. We have just finished some testing scenarios, and it works well - if you like a deep game where the fiction really is the core of the game, this is for you.

I have 2-3 players, but I think I need a co-GM, rules consultant or an actual head GM to replace me, because this is my second game GMing AW. My style is focused on the fiction, and I rarely actually use the rules, unless they're absolutely necessary (or players want it), so I've been able to run the game smoothly so far.

If you have the slightest interest in a text-based AW game, please contact me. Player or GM - either way, we can use you!

Also, any experience with text-based AW would be appreciated - share it, please :)

I am running an AW game where one of the players is a Hardholder.

I am looking for ways to handle this without making him the "king of the hill" and avoid having him (micro)-manage everything that goes on in the hold. The game so far has been very focused on the players' home: Some power conflicts about who gets to decide what.

Things work fine within the group itself. The conflict is between the group and an NPC.The main conflict has been resolved, but I have this NPC who should either be killed off or used for internal conflicts in the hold.

But I fear that the game is going towards politics and intrigue - which the PCs love, but I have to find some kind of balance.

How do you handle a Hardholder character? Any tips?

Hi,

I am currently working on Dancers at the End of Time, a hack of AW.

Someone proposed that I use the "Act under Fire" as a template, but aren't there some kind of guide out there that can help?

Any help will be gratefully accepted...

    I am looking for someone who knows the AW rules backwards and forwards - someone who wants to collaborate on creating an AW scenario that fictionally is miles away from the vanilla AW scenarios - but still adheres to the same rules and agendas.

     Dancers at the End of Time is a book series by Michael Moorcock. Having read them is not a requirement. Michael Moorcock is mostly known for his fantasy series Elric, but in my opinion, Dancers at the End of Time is his finest work.

     The plan is to produce playbooks, moves and whatever else is necessary to make a DatEoT scenario work.

If you are interested, please read the text below to get more information.

Dancers at the End of Time

     This game is about the end of times; mankind has lived for millions of years and have evolved into beings that are not quite human anymore. They are called the Dancers at the End of Time; when the end is nigh, what else is there but dancing?

   The game is based on the book series of the same name  by Michael Moorcock. The series revolve around a curious explorer named JD and the Dancers that he interacts with.

   Life at the end of time is very different from life in the 21st century. The Dancers use Force Rings to manipulate energy and matter in order to change reality to whatever is wished.

This is not magic; it is science. The Rings draw their power from Power Banks and matter or energy. The Power Banks are scattered all over Earth, but no one seems to care about them anymore, because they work and never seem to run out.

The Dancers are few, in the thousands. No one has been born in the last 10,000 years. Instead, cloning and other techniques have been used. However, the Dancers are so different from us: They do not feel the need to reproduce anymore, they no longer have a strict moral code and their frame of reference is usually very limited.

The Rings can transform everything, including yourself: You can walk around as a gorilla or a giant talking head, or you can take on a human shape with crazy hairdos and small variations in height and weight. The preferred form is that of a 2 meter high human, but most Dancers have their own form they stick to.
   Time travel is a big part of being a Dancer. To explore the Earth, the Dancers travel to different times to learn about topics like love, hate and poverty. Living the life of someone in the past is seen upon with great respect.
Curiosity and naivety are adjectives that describe the Dancers’ core psychology. Disease, famine and other dangers have long ago been vanquished. Dancers often take huge risks with their lives simply to experience what it is to be human.

The agenda of the players is this:
1)   Explore the lives of the Dancers
2)   Compete for attention, prestige and energy.
3)   Create fantastic realities only limited by your imagination.

I've written some moves and stuff, but I need someone to collaborate with - if you are interested, or have suggestions, let me know.

Hi,

I would like to know if it is generally a better idea to have several custom moves instead of one "catch-all" custom move with many outcomes?

In general, is having more custom moves less confusing that having fewer custom moves that you have to look up every time you do it?

And lastly, when you read a situation, you get a list of questions - but it seems like they are guide lines only, meaning you can ask something that falls within those guidelines. How strictly do you have to follow the result lists - can you pick something new if it makes sense within the fiction and the context is appropriate?

Thanks.